=001  1000002154
=031  ##$a1$b1$c1$gC-3$p1F2EE1(D),A2-1'D2CDDEE1/%c-20A/%f-41,DA/$qAll three parts shown on one stave. A custos at the end of the first canonic voice indicates a return to the first note.$tHa qua[n]te cose qui tacendo passo
=033  2#$a1503-1505$801
=040  ##$aAuArU$beng
=041  0#$aita
=100  1#$aAnonymous$02243
=240  10$aHa quante cose qui tacendo passo$m4vv$0545
=245  10$aHa qua[n]te cose qui tacendo passo
=260  ##$aFerrara?$cc.1505$801
=300  ##$apanel$c56 × 39.9 cm$801
=500  ##$aThe painting has been attributed to Filippo Mazzola. The subject has been speculated to be the music theorist Nicolò Burzio or composer Josquin Des Pres. Fallows (2009) examines the second hypothesis on the basis of the resemblance of the piece of music to Josquin's "Guillaume se va chaufer" and the text quoted from Pietro Bembo's Gli asolani, though he concedes it is difficult to reach a firm conclusion. Fallows dating of the painting to between January 1501-March 1505 is persuasive.
=590  ##$athree unlabelled parts$bshown on oblong octavo book held by figure$801
=593  ##$aOther$801
=594  ##$bVocal parts - 2 in 1: C1, C2; Ct, T$c4
=650  07$aPainting$04
=691  #7$aScherliess 1972$n111, Plate 40 (cat. no. XXI)$0530
=691  #7$aLowinsky 1982$n268, 269 (corrected transcription), 273$09
=691  #7$aFallows 2009 Josquin$n244-248$0102
=695  ##$aunison canon$b1$c2$dex$eunison$g1$hbreve(s)$o[C]$01882
=700  1#$aMazzola, Filippo$d1460-1505$jConjectural$02475$4ill
=700  1#$aBembo, Pietro$d1470-1547$jAscertained$02477$4lyr
=700  1#$aBurtius, Nicolaus$d1450-1528$jDoubtful$02476$4oth
=700  1#$aJosquin Desprez$dc1450-1521$jDoubtful$0179$4oth
=852  ##$aI-PAgn$cinv. 309; "Ritratto di umanista"$d"Portrait of Nicola Burzio"$eGalleria nazionale$x598