=001  1000002178
=031  ##$a21$b1$c1$eCanon ien ay mon sol$gC-1$m[S]$oc/$p9G1[GA]9(B)''C-C1'B''D2C1E4DC2'B1''C2'B9''C1-$qf.26v
=031  ##$a21$b1$c2$eCanon solus cum sola$gC-3$m[T]$oc/$p9,G'CD1CC,B'D[1C2D]ECD2.,G4A2B'C,G1'C9D1C2-$q8th and 9th notes are full black
=040  ##$aAuArU$beng
=041  0#$afre
=100  1#$aAnonymous$02243
=240  10$aTout à par moi pensant à mes amours$m4vv$0582
=245  10$aTout a par moy pensant a mes amours
=590  ##$aVocal parts - [S], [T]$bf.26v-27$801
=593  ##$aPrint$801
=594  ##$bVocal parts - 4 in 2, unlabelled voices$c4
=599  ##$aThis canon has not been solved to date. Canonic technique data required.
=599  ##$aSolution in Thomas (2006) has two additional voices [alto and tenor]: starting in bar 2: the tenor has G below Middle C followed by a rest (semibreve G and semibreve rest in transcription); alto has a rest followed by G an octave higher (semibreves in transcription). This pattern of alternating notes G and rests between these two voices continues to the end.
=650  07$aRondeau cinquin$051
=650  07$aChanson$01
=691  #7$aAntico 1520 ed Thomas$n44$0551
=773  18$w1000002134
=930  1#$aAnonymous: Tout à par moi pensant à mes amours  ; 4vv$019