=001  1000002196
=031  ##$a8$b1$c1$eCanon In dyapenthe$gC-2$m[S]$nbB$oc2$p1G2GG1.F4ED2.F4G2A2.B()4A1A2G9A-$qf.8v
=031  ##$a8$b1$c2$eCanon In dyapenthe$gC-4$nbB$p9-1D2DD2.,A4B2'2C2.D4C,BA1B9(A)0-$qf.9
=040  ##$aAuArU$beng
=041  0#$afre
=100  1#$aPierre de la Rue$dc1452-1518$jAscertained$0182
=240  10$aEn espoir vis et si languis$m4vv$0578
=245  10$aEn espoir vis et si languis
=500  ##$aDobbins (n.d.) suggests "The rhetorical quatrain with its reference to « regret » at the end of the second line is typical of several rondeaux set by this composer, perhaps for his patron Marguerite of Austria after the deaths of her husband, Philibert II duke of Savoy in 1504 and of her brother Philippe le beau in 1506."
=590  ##$aVocal parts - [S], [T]$bf.8v-9$801
=593  ##$aPrint$801
=594  ##$bVocal parts - 4 in 2, unlabelled voices$c4
=650  07$aChanson$01
=650  07$aRondeau quatrain$048
=695  ##$adouble canon$b2$c4$dex$e5th$fabove$g3$hbreve(s)$oC2$01913
=773  18$w1000002190
=930  1#$aPierre de la Rue: En espoir vis et si languis  ; 4vv$022