Missa Si bona suscepimus: Agnus Dei II - 6vv

Zusammenfassung

Name	Agostini, Paolo (1583-1629)
Einordnungstitel	Missa Si bona suscepimus: Agnus Dei II
Besetzungshinweis	6vv
Diplomatischer Titel	Agnus Dei II
RISM Dokumentnummer	1000002261

Canonic Technique(s)


Type	interval canon: 2 ex 1
Imitation interval	12th above
Temporal offset	in c/
Type	retrograde motion canon (cancrizans or crab canon): 2 ex 1
Imitation interval	12th above
Temporal offset	in c/

Inhalt

Incipitnummer	1.x.1
Kommentar zum Musikincipit	Bassus - Sexta pars. Various retrograde combinations of the Bassus and Sexta pars. Other parts are not altered in any version/solution of this work.
Textincipit	Agnus Dei
	PAE Code

Materialbeschreibung

Typ	Print
Abschrift oder Impressum	1627
Vorhandene Stimmen	vocal parts
Umfang Stimmenmaterial	pp. 35-37

Anmerkungen

Bemerkungen	Agostini lists 14 solutions for this work: the first four are non-canonic because they do not involve the "sexta pars". The solutions involve the Bassus and Sexta pars employing retrograde in the following ways: i. Bass as written from beginning to end. ii Bass starts at the end and goes back to the beginning. iii. Bass goes t the + sign at midpoint and returns to beginning. iv. Bass starts at the end and goes to the + and returns to end. v. As (i) with the sexta pars in canon with the bass at the 12th above. vi. As (ii) with the sexta pars in canon with the bass at the 12th above. vii. As (iii) with the sexta pars in canon with the bass at the 12th above. viii. As (iv) with the sexta pars in canon with the bass at the 12th above. ix. Bass from beginning to end and Sexta pars from end to beginning. x. Bassus and Cantus start at beginning and go to + and return to beginning. xi. Bassus and Cantus start at end, go to + and go back to end. xii. Bassus starts at beginning, Cantus at end, they meet at + and then each returns the way it came. xiii. Bassus starts at end, Cantus at beginning, they meet at + and then each returns the way it came. xiv. Bassus and Cantus both start at end and go to beginning and then back to end again.
Zusammenfassende Beschreibung	Six voices one is labelled "sext pars si placet". meaning that it is an optional sixth part (Cantus). This part is the comes to the Bassus dux. Notice + sign on p. 36, second system, Bassus m. 2. This indicates the midway point of the Bassus line.

Bemerkungen

Agostini lists 14 solutions for this work: the first four are non-canonic because they do not involve the "sexta pars". The solutions involve the Bassus and Sexta pars employing retrograde in the following ways: i. Bass as written from beginning to end. ii Bass starts at the end and goes back to the beginning. iii. Bass goes t the + sign at midpoint and returns to beginning. iv. Bass starts at the end and goes to the + and returns to end. v. As (i) with the sexta pars in canon with the bass at the 12th above. vi. As (ii) with the sexta pars in canon with the bass at the 12th above. vii. As (iii) with the sexta pars in canon with the bass at the 12th above. viii. As (iv) with the sexta pars in canon with the bass at the 12th above. ix. Bass from beginning to end and Sexta pars from end to beginning. x. Bassus and Cantus start at beginning and go to + and return to beginning. xi. Bassus and Cantus start at end, go to + and go back to end. xii. Bassus starts at beginning, Cantus at end, they meet at + and then each returns the way it came. xiii. Bassus starts at end, Cantus at beginning, they meet at + and then each returns the way it came. xiv. Bassus and Cantus both start at end and go to beginning and then back to end again.

Zusammenfassende Beschreibung

Six voices one is labelled "sext pars si placet". meaning that it is an optional sixth part (Cantus). This part is the comes to the Bassus dux. Notice + sign on p. 36, second system, Bassus m. 2. This indicates the midway point of the Bassus line.

Deskriptoren

Sachschlagwort	Mass Ordinary Setting
	Mass Section

Verlinkungen

Übergeordneter Eintrag	1000002257 Agostini, Paolo: Libro Quarto delle Messa in Spartitura - 5vv with basso continuo

Répertoire International des Sources Musicales