=001  1000002265
=031  ##$a1$b6$c1$eà3$gG-2$p2-2AbB''D/(1C),'F/$qCanonic voices: comprise last five notes in the Bassus of the preceding three-part Crucifixus section. Free part has Kyrie 2 motive.$tSemper laus Deo
=040  ##$aAuArU$beng
=100  1#$aAgostini, Paolo$d1583-1629$02494
=240  10$aSemper Laus Deo: post Et in spiritum$m3vv$0642
=245  10$aSemper Laus Deo
=260  ##$c1627$801
=500  ##$a(i) Score format. (ii) I-Bc V39 has handwritten "Cala un Tuono" indicating a canon per tonos with repetitions at a second below. (iii) Dux has two clefs: G2 and C3. Dux reads C3, comes has G2 (even though comes is resolved fully on a separate staff with G2). (iv) Dux line has presa .S. which is unnecessary because comes is resolved. (v). Dux minim rest and minim at opening is changed to semibreve opening in comes. (vi). Based on the number of notes and a comparison with the other voices, the text in the non-canonic voice only should probably read "Semper Laus Deo".
=520  ##$aTwo-part Interval Canon and canon per tonos (down a second) with a third non-canonic voice. Score format.
=590  ##$aVocal parts$bp. 17$801
=593  ##$aPrint$801
=650  07$aCanon$09
=695  ##$ainterval canon$b1$c2$dex$e7th$fAbove$g1$hbreve(s)$oC$0647
=695  ##$acanon per tonos$b1$c2$dex$e7th$fabove$g1$hbreve(s)$02009
=773  18$w1000002253