=001  1000002270
=031  ##$a1$b11$c1$eA5$gC-4$p2-1C2C/2,AA1G/C2-/1-://$qBassus-Cantus 2. Text in Bassus only. Based on last six notes of the Bassus in the previous Agnus Dei section. $tMiserere nobis
=031  ##$a1$b11$c2$eA5$gC-3$p1-2-2C+/CCDD/2.(E)4DEF2G+/GF1G://$qAltus 1-Altus 2 (no text). Altus 2 is the annotated voice. Based on opening of the Cantus from Christe section.
=040  ##$aAuArU$beng
=100  1#$aAgostini, Paolo$d1583-1629$02494
=240  10$aCanon del Agnus: Semper Laus Deo$m5vv$0645
=245  10$aCanon del Agnus: Semper laus Deo
=500  ##$a(i) Four voices notated in score. (ii) Fifth voice is an annotated comes: indicated by two C2 clefs and a presa sign in one of the notated voices. (iii) Both this and the next "Canon del Agnus, alio modo" are based on the same materials: (1) the last six notes of the Bassus in the previous Agnus Dei section (2) the opening of the Cantus from the Christe section. (iv) Repeat marks at either the beginning or end of each part, suggesting a circle canon. (v) Kyrie 2 motive in Cantus (non-canonic voice) on text "Semper laus Deo".
=520  ##$aFour-Part Double Canon and Circle Canon with one free voice.
=590  ##$aVocal parts$bp. 23$801
=650  07$aCanon$09
=695  ##$ainterval canon$b1$c2$dex$e8ve$fAbove$g1$hbreve(s)$oC$0679
=695  ##$ainterval canon$b1$c2$dex$eunison$g2$hbreve(s)$oC$0452
=695  ##$adouble canon$b2$c4$dex$e4th$fAbove$g1$hbreve(s)$oC$0181
=773  18$w1000002253