=001  1000002277
=031  ##$a1$b18$c1$eCauato del fine del Credo$gC-2$p2-CD2.F8E(D)2E1F1-://$q1. Motive is drawn from the end of the Tenor line of the "Et in spiritus" section (p. 15). 2. This variant of the Kyrie 2 motive is also used in the canon on page 15.
=031  ##$a1$b18$c2$eCauato del fine del Credo$gC-4$p1-/2,F1DCF2C://$qBased on a motive drawn from end of the Tenor line of the "Et in spiritus" section (p.15). This is also used in the canon on page 15.
=040  ##$aAuArU$beng
=100  1#$aAgostini, Paolo$d1583-1629$02494
=240  10$aTextless canon (I-Bc V39)$m4vv$0643
=245  10$a[Without Title]
=260  ##$c1627$801
=500  ##$a(i) Notated as two duces, one with presa but the other not. (ii) Double barlines and repeat marks indicate circle canon.
=520  ##$aFour-Part Double Canon and Circle Canon
=590  ##$aVocal parts$bp. 23$801
=593  ##$aPrint$801
=599  ##$aCanonic resolution is possible despite no presa sign.
=650  07$aCanon$09
=695  ##$ainterval canon$b1$c2$dex$e5th$fAbove$g1$hbreve(s)$oNA$0153
=695  ##$ainterval canon$b1$c2$dex$e5th$fAbove$g1$hbreve(s)$oNA$0153
=695  ##$adouble canon$b2$c4$dex$e4th$fAbove$g1$hbreve(s)$oC$0181
=773  18$w1000002253