=001  1000002311
=031  ##$a2$b12$c1$eco[n] osseruatione di contrapunto alla 12. & di contrarii moti, & suo riuerso reale, come per esempio si vede nella seguente facciata.$gC-3$p,4A'8DD,BBBA4G$qTranslation of rubric: [1] With the observation of counterpoint at the 12th. [2] In a different way with its real inversion as can be seen, for example, in the next piece. Double Augmentation. Simultaneous beginning of all parts. Solution 1: (i) Dux - Comes 1: Unison Augmentation (ii) Dux - Comes 2: Lower 12th Double Augmentation.$tNon nobis Domine
=031  ##$a2$b12$c2$e"Canon à 3. L'istesso Non nobis, rivolta per Contrappunto alla 12."$gC-2$pG8DDFFFG4A$qTranslation of rubric: Three-part canon, the same Non nobis Domine inverted by counterpoint at the 12th. Augmentation and Contrary Motion Canon. Simultaneous beginning of all parts. Solution 2: (i) Dux - Comes 1: Lower 8ve Augmentation. (ii) Dux - Comes 2: Lower 5th, Double Augmentation.$tNon nobis Domine
=040  ##$aAuArU$beng
=100  1#$aAgostini, Paolo$d1583-1629$02494
=240  10$aCanon à 3 in dui modi & cominciano insieme$m3vv$0680
=245  10$aA 3. in dui modi, & cominciano insieme
=260  ##$c1627$801
=500  ##$aRubric text "cominciano insieme" indicates possibility for augmentation. "alla 12" indicates that one of the comites begins at the distance of a 12th from one of the other voices. No presa signs or other indications for entry of comes. The due on page 17 has the inverted form of the due melody on page 16.
=590  ##$aVocal parts$801
=593  ##$aPrint$801
=599  ##$aIncomplete data; no authority for Augmentation or double augmentation canon. These two canons are on pages 8 and 17 of the Bologna book AB was reading from. Need to add a new canonic techniques authority: Double Augmentation canon means that comes 1 doubles the dux's rhythmic values while comes 2 quadruples the dux's rhythmic values. A comparison of the two solutions shows correspondence to Zarlino's second category of contrapuntal doppio where the melodic lines as well as registers are inverted. In Agostini's canon (p.17), inversion of melodic lines is at the octave with D as the pivot tone. (DC sees invertible counterpoint at the 8ve in operation in these examples).
=650  07$aCanon$09
=650  07$aHymn$023
=773  18$w1000002257