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The Canons Database
Classifying Canonic Techniques in Early European Music
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Interval of imitation
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Standardized title
Talent m'est pris de chant comme li coccu - NA; Round; 3vv in 1
5
Umblemens vos pri merchi - NA; Continuous canon; 3vv in 1 @ ¶5 tempora
4
Combien que loins de vous soye - Rondeau quatrain; Rondeau; 2vv from 1
2
Dame sans per que piesa - Ballade; Ballade; 3vv, 2 in 1 (Ct and T), C
2
Gloria in excelsis Deo (Trent Codices) - Ordinary of the Mass; Ordinary setting; 6vv
2
Missa ad fugam: Kyrie - Ordinary of the Mass; Mass; 3vv, 3 in 1
2
Salve regina - 3vv
2
Umblemens vos pri merchi - 3vv
2
Vaer ruwe in dander huys - Rondeau; Rondeau?; 3vv, 2 in 1 (Ct and T) + C
2
Versuoch min dienst (Fuga) - 2vv, 2 in 1
2
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Composer
Anonymous
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81
Source Type
Manuscript copy
31
Other
1
Print
1
Scoring
3vv
21
4vv
7
2vv
5
3vv in 1
5
3vv, 2 in 1 (Ct and T) + C
5
3vv, 3 in 1
5
3vv in 1 @ ¶5 tempora
4
2vv in 1
3
2vv, 2 in 1
3
6vv
3
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Date
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Current results range from
1265
to
1505
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Unknown
59
Library siglum
I-TRbc
12
F-PN
10
F-Sm
6
E-MO
4
GB-Ob
4
I-IV
4
A-Wn
3
CZ-Pu
3
I-REas
3
V-CVbav
3
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Subject
Chace
8
Rondeau
7
Ballade
4
Caccia
4
Canon
4
Ordinary of the Mass
4
Continuous canon
3
Madrigal
3
Mass Section
3
Round
3
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Canon type
unison canon
74
retrograde motion canon (cancrizans or crab canon)
4
double canon
1
mensuration canon
1
perpetual canon
1
proportional canon
1
resolved canon
1
verbal canon
1
Interval of imitation
unison
[remove]
81
NA
1
Temporal offset
2
16
5
15
4
10
7
8
0
7
3
7
9
7
NA
4
1
3
10
3
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Temporal offset unit
breve(s)
54
long(s)
14
NA
6
tempora
4
2
semibreve(s)
1
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Interval of imitation
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Composer
Anonymous
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