Canon à 4. della Gloria - 4vv
Zusammenfassung
| Name | Agostini, Paolo (1583-1629) |
|---|---|
| Einordnungstitel | Canon à 4. della Gloria |
| Besetzungshinweis | 4vv |
| Diplomatischer Titel | Canon à 4. della Gloria |
| RISM Dokumentnummer | 1000002262 |
Canonic Technique(s)
| Type | canon per tonos: 2 ex 1 |
|---|---|
| Imitation interval | 5th above |
| Temporal offset | 1 breve(s) in |
| Type | canon per tonos: 2 ex 1 |
| Imitation interval | 4th below |
| Temporal offset | 1 breve(s) in |
| Type | double canon: 4 ex 2 |
| Imitation interval | 4th Above |
| Temporal offset | 1 breve(s) in C |
Inhalt
| Incipitnummer | 1.3.1 |
|---|---|
| Rubrik | i. Cantus has "cresce" under end of staff. ii. Altus has "vel in diapason." under opening three notes. |
| Kommentar zum Musikincipit | Repeat signs in each canon at end of Cantus 1 and Bassus indicate canon per tonos when Cantus "cresc" is taken into account. Kyrie 2 Motive in Tenor-Bassus. |
| PAE Code | |
| Incipitnummer | 1.3.2 |
| Rubrik | iii. Bassus has "vn tono cresce" near end of its staff. |
| Kommentar zum Musikincipit | Motive in Cantus 1-Altus is last four notes from Bassus of Gloria. |
| Textincipit | Laus Deo |
| PAE Code | |
Materialbeschreibung
| Typ | |
|---|---|
| Abschrift oder Impressum | 1627 |
| Vorhandene Stimmen | Vocal parts |
| Umfang Stimmenmaterial | p. 9 |
| Bemerkungen | Both this and the following canon, Alto modo Canon à 6 are based on the same materials: The Kyrie 2 motive, which is also stated at the end of the setting of the Gloria (in the two upper voices) that immediately precedes this canon. A counter-motive comprising the last 4 notes of the Bass from the end of the preceding Gloria setting. |
Anmerkungen
| Zusammenfassende Beschreibung | Four-part Double Canon and Canon per Tonos (up a second). In score format. |
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Deskriptoren
| Sachschlagwort | Canon |
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Verlinkungen
| Übergeordneter Eintrag | 1000002253 Agostini, Paolo: Spartitura del secondo libro delle messe - 4vv with basso continuo |
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