Alio modo, Canon à 6 - 6vv
Résumé
Nom | Agostini, Paolo (1583-1629) |
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Titre uniforme | Alio modo, Canon à 6 |
Distribution | 6vv |
Titre diplomatique | Alio modo, Canon à 6 |
No. RISM | 1000002263 |
Canonic Technique(s)
Type | interval canon: 2 ex 1 |
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Imitation interval | 12th above |
Temporal offset | 1 breve(s) in |
Type | invertible canon: 4 ex 1 |
Imitation interval | other below |
Temporal offset | 2,3,5 semibreve(s) in |
Type | double canon: 6 ex 2 |
Contenu
Numéro de l'œuvre | 1.4.1 |
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Rubrique | Canon in diapente, in diatesaron, & diapason |
Note générale | Cantus 2 [=comes] changes opening note from a semibreve to a minim rest plus minim note. |
PAE Code | |
Numéro de l'œuvre | 1.4.2 |
Rubrique | Canon in diapente, in diatesaron, & diapason |
Note générale | L8/L5/L4. Kyrie 2 motive in notated Cantus & Tenor, Cantus 1 is on one staff with three presa signs above. The first presa matches the entry of the notated Tenor (comes 1). Four voices in score format plus two unnotated parts. 1. Cantus 1 [=dux]-Tenor [=comes 1]-unnotated part [=comes 2]-unnotated part [=comes 3]. |
PAE Code | |
Description du matériel
Type | |
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Copie ou impressum | 1627 |
Parties existantes | Vocal parts |
Parties manquantes | p. 9 |
Remarque générale | Both this and the previous Canon à 4 (p. 9) are based on the same materials: The Kyrie 2 motive, which is also stated at the end of the setting of the Gloria (in the two upper voices) that immediately precedes this canon. A counter-motive comprising the last 4 notes of the Bass from the end of the preceding Gloria setting. |
Information supplémentaire
Remarque générale | The second canon type is a variant of the invertible canon because comes 2 enters at 4th below instead of 11th below. Repeat signs in each canon at the end of Cantus 1 and Bassus indicate a circle canon. |
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Résumé | Six-part double canon and circle canon |
Termes
Sujet | Canon |
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Titres connexes
Source principale | 1000002253 Agostini, Paolo: Spartitura del secondo libro delle messe - 4vv with basso continuo |
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