Semper Laus Deo: post Et in spiritum - 3vv
Zusammenfassung
| Name | Agostini, Paolo (1583-1629) |
|---|---|
| Einordnungstitel | Semper Laus Deo: post Et in spiritum |
| Besetzungshinweis | 3vv |
| Diplomatischer Titel | Semper Laus Deo |
| RISM Dokumentnummer | 1000002265 |
Canonic Technique(s)
| Type | interval canon: 2 ex 1 |
|---|---|
| Imitation interval | 7th Above |
| Temporal offset | 1 breve(s) in C |
| Type | canon per tonos: 2 ex 1 |
| Imitation interval | 7th above |
| Temporal offset | 1 breve(s) in |
Inhalt
| Incipitnummer | 1.6.1 |
|---|---|
| Rubrik | à3 |
| Kommentar zum Musikincipit | Canonic voices: comprise last five notes in the Bassus of the preceding three-part Crucifixus section. Free part has Kyrie 2 motive. |
| Textincipit | Semper laus Deo |
| PAE Code | |
Materialbeschreibung
| Typ | |
|---|---|
| Abschrift oder Impressum | 1627 |
| Vorhandene Stimmen | Vocal parts |
| Umfang Stimmenmaterial | p. 17 |
Anmerkungen
| Bemerkungen | (i) Score format. (ii) I-Bc V39 has handwritten "Cala un Tuono" indicating a canon per tonos with repetitions at a second below. (iii) Dux has two clefs: G2 and C3. Dux reads C3, comes has G2 (even though comes is resolved fully on a separate staff with G2). (iv) Dux line has presa .S. which is unnecessary because comes is resolved. (v). Dux minim rest and minim at opening is changed to semibreve opening in comes. (vi). Based on the number of notes and a comparison with the other voices, the text in the non-canonic voice only should probably read "Semper Laus Deo". |
|---|---|
| Zusammenfassende Beschreibung | Two-part Interval Canon and canon per tonos (down a second) with a third non-canonic voice. Score format. |
Deskriptoren
| Sachschlagwort | Canon |
|---|
Verlinkungen
| Übergeordneter Eintrag | 1000002253 Agostini, Paolo: Spartitura del secondo libro delle messe - 4vv with basso continuo |
|---|