Ave virgo lux maria/Sancta Maria - 4vv
Zusammenfassung
| Name | Johannes Franchois de Gemblaco |
|---|---|
| Einordnungstitel | Ave virgo lux maria/Sancta Maria |
| Besetzungshinweis | 4vv |
| Diplomatischer Titel | Introitus |
| RISM Dokumentnummer | 1000000453 |
Canonic Technique(s)
| Type | unison canon: 1 ex 2 |
|---|---|
| Imitation interval | unison |
| Temporal offset | 6 breve(s) in o |
Besitzerangaben
| Bibliothekssigel | I-Bc MS Q.15 |
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Inhalt
| Incipitnummer | 236.1.1 |
|---|---|
| Besetzung | C1 |
| Kommentar zum Musikincipit | A non-canonic voice labelled "Trompetta introitus" accompanies the equal voice canon |
| Besetzung Satz | introitus |
| PAE Code | |
Besetzung
| Besetzung | Vocal parts - 2 in 1: C1, C2; Ct, T, Solus Tenor 1, Solus Tenor 2, Ct cum solo tenore (7) |
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Materialbeschreibung
| Typ | Manuscript copy |
|---|---|
| Vorhandene Stimmen | Vocal parts |
| Umfang Stimmenmaterial | f.240v-241 (Roman) |
Anmerkungen
| Bemerkungen | Acribed to "Jo franchois" in the source. The two-voice canonic introitus precedes a fuller non-canonic texture. This work is transmitted with several voices the T (isorhythmic, repeated), Ct (repeated), solus T1 (repeated), solus T2 (repeated), Trompetta introitus and Ct cum solo tenore (repeated). The Trompetta introitus accompanies the canonic introitus, then gives way to other voices. Despite the number of transmitted voices, its seems that several four-part textures were intended after a three-part introduction. Note the change of mensuration from O in the canonic introitus to C. followed by C in the following section which features a syllabic setting of the hymn text in C1 and C2. |
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Literatur
| Literaturverweis | Igoe 1970 , 7-10, 32-40 (edition) |
|---|---|
| StrohmRise , 243 | |
| Bent 2007 StrohmFS , 58-9 |
Deskriptoren
| Sachschlagwort | Motet introitus |
|---|---|
| Hymn | |
| Sprachcode | Latin |
Verlinkungen
| Übergeordneter Eintrag | 1000000017 Bologna Q15 |
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