Ave virgo lux maria/Sancta Maria - 4vv
Riassunto
| Nome | Johannes Franchois de Gemblaco |
|---|---|
| Titolo uniforme | Ave virgo lux maria/Sancta Maria |
| Organico sintetico | 4vv |
| Titolo diplomatico | Introitus |
| Numero documento RISM | 1000000453 |
Canonic Technique(s)
| Type | unison canon: 1 ex 2 |
|---|---|
| Imitation interval | unison |
| Temporal offset | 6 breve(s) in o |
Biblioteca
| Sigla della biblioteca | I-Bc MS Q.15 |
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Contenuto
| Numero dell'incipit | 236.1.1 |
|---|---|
| Organico | C1 |
| Commento all'incipit mus. | A non-canonic voice labelled "Trompetta introitus" accompanies the equal voice canon |
| Organico del movimento | introitus |
| PAE Code | |
Organico
| Organico | Vocal parts - 2 in 1: C1, C2; Ct, T, Solus Tenor 1, Solus Tenor 2, Ct cum solo tenore (7) |
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Descrizione del materiale
| Categoria | Manuscript copy |
|---|---|
| Parti staccate esistenti | Vocal parts |
| Parti staccate mancanti | f.240v-241 (Roman) |
Note
| Osservazioni | Acribed to "Jo franchois" in the source. The two-voice canonic introitus precedes a fuller non-canonic texture. This work is transmitted with several voices the T (isorhythmic, repeated), Ct (repeated), solus T1 (repeated), solus T2 (repeated), Trompetta introitus and Ct cum solo tenore (repeated). The Trompetta introitus accompanies the canonic introitus, then gives way to other voices. Despite the number of transmitted voices, its seems that several four-part textures were intended after a three-part introduction. Note the change of mensuration from O in the canonic introitus to C. followed by C in the following section which features a syllabic setting of the hymn text in C1 and C2. |
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Bibliografia
| Riferimenti bibliografici | Igoe 1970 , 7-10, 32-40 (edition) |
|---|---|
| StrohmRise , 243 | |
| Bent 2007 StrohmFS , 58-9 |
Descrittori
| Parola chiave | Motet introitus |
|---|---|
| Hymn | |
| Lingua del testo cantato | Latin |
Titoli connessi
| Notizia principale | 1000000017 Bologna Q15 |
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