Ha quante cose qui tacendo passo - 4vv
Zusammenfassung
Name | Anonymous |
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Einordnungstitel | Ha quante cose qui tacendo passo |
Besetzungshinweis | 4vv |
Diplomatischer Titel | Ha qua[n]te cose qui tacendo passo |
RISM Dokumentnummer | 1000002154 |
Canonic Technique(s)
Type | unison canon: 2 ex 1 |
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Imitation interval | unison |
Temporal offset | 1 breve(s) in [C] |
Besitzerangaben
Bibliothekssigel | I-PAgn inv. 309; "Ritratto di umanista" |
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Inhalt
Incipitnummer | 1.1.1 |
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Kommentar zum Musikincipit | All three parts shown on one stave. A custos at the end of the first canonic voice indicates a return to the first note. |
Textincipit | Ha qua[n]te cose qui tacendo passo |
PAE Code | |
Besetzung
Besetzung | Vocal parts - 2 in 1: C1, C2; Ct, T (4) |
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Materialbeschreibung
Typ | Other |
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Abschrift oder Impressum | Ferrara?, c.1505 |
Quellenart, Umfang | panel |
Format | 56 × 39.9 cm |
Vorhandene Stimmen | three unlabelled parts |
Umfang Stimmenmaterial | shown on oblong octavo book held by figure |
Anmerkungen
Bemerkungen | The painting has been attributed to Filippo Mazzola. The subject has been speculated to be the music theorist Nicolò Burzio or composer Josquin Des Pres. Fallows (2009) examines the second hypothesis on the basis of the resemblance of the piece of music to Josquin's "Guillaume se va chaufer" and the text quoted from Pietro Bembo's Gli asolani, though he concedes it is difficult to reach a firm conclusion. Fallows dating of the painting to between January 1501-March 1505 is persuasive. |
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Literatur
Literaturverweis | Scherliess 1972 , 111, Plate 40 (cat. no. XXI) |
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Lowinsky 1982 , 268, 269 (corrected transcription), 273 | |
Fallows 2009 Josquin , 244-248 |
Deskriptoren
Sachschlagwort | Painting |
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Sprachcode | ita |
Personenname | Mazzola, Filippo (1460-1505) [Illustrator] [Conjectural] |
Bembo, Pietro (1470-1547) [Textdichter] [Ascertained] | |
Burtius, Nicolaus (1450-1528) [Sonstige Funktion] [Doubtful] | |
Josquin Desprez (c1450-1521) [Sonstige Funktion] [Doubtful] |