Répertoire International des Sources Musicales

Ha quante cose qui tacendo passo - 4vv

Résumé

Nom Anonymous
Titre uniforme Ha quante cose qui tacendo passo
Distribution 4vv
Titre diplomatique Ha qua[n]te cose qui tacendo passo
No. RISM 1000002154

Canonic Technique(s)

Type unison canon: 2 ex 1
Imitation interval unison
Temporal offset 1 breve(s) in [C]

Bibliothèque

Sigle de bibliothèque I-PAgn inv. 309; "Ritratto di umanista"

Contenu

Numéro de l'œuvre 1.1.1
Note générale All three parts shown on one stave. A custos at the end of the first canonic voice indicates a return to the first note.
Incipit du texte Ha qua[n]te cose qui tacendo passo
PAE Code

Distribution

Instrumentation Vocal parts - 2 in 1: C1, C2; Ct, T (4)

Description du matériel

Type Other
Copie ou impressum Ferrara?, c.1505
Type de source panel
Dimension 56 × 39.9 cm
Parties existantes three unlabelled parts
Parties manquantes shown on oblong octavo book held by figure

Information supplémentaire

Remarque générale The painting has been attributed to Filippo Mazzola. The subject has been speculated to be the music theorist Nicolò Burzio or composer Josquin Des Pres. Fallows (2009) examines the second hypothesis on the basis of the resemblance of the piece of music to Josquin's "Guillaume se va chaufer" and the text quoted from Pietro Bembo's Gli asolani, though he concedes it is difficult to reach a firm conclusion. Fallows dating of the painting to between January 1501-March 1505 is persuasive.

Références

Référence bibliographique Scherliess 1972 , 111, Plate 40 (cat. no. XXI)
Lowinsky 1982 , 268, 269 (corrected transcription), 273
Fallows 2009 Josquin , 244-248

Termes

Sujet Painting
Langue du texte chanté ita
Nom Mazzola, Filippo (1460-1505) [Illustrateur] [Conjectural]
Bembo, Pietro (1470-1547) [Parolier] [Ascertained]
Burtius, Nicolaus (1450-1528) [Autre function] [Doubtful]
Josquin Desprez (c1450-1521) [Autre function] [Doubtful]