Ha quante cose qui tacendo passo - 4vv
Résumé
Nom | Anonymous |
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Titre uniforme | Ha quante cose qui tacendo passo |
Distribution | 4vv |
Titre diplomatique | Ha qua[n]te cose qui tacendo passo |
No. RISM | 1000002154 |
Canonic Technique(s)
Type | unison canon: 2 ex 1 |
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Imitation interval | unison |
Temporal offset | 1 breve(s) in [C] |
Bibliothèque
Sigle de bibliothèque | I-PAgn inv. 309; "Ritratto di umanista" |
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Contenu
Numéro de l'œuvre | 1.1.1 |
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Note générale | All three parts shown on one stave. A custos at the end of the first canonic voice indicates a return to the first note. |
Incipit du texte | Ha qua[n]te cose qui tacendo passo |
PAE Code | |
Distribution
Instrumentation | Vocal parts - 2 in 1: C1, C2; Ct, T (4) |
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Description du matériel
Type | Other |
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Copie ou impressum | Ferrara?, c.1505 |
Type de source | panel |
Dimension | 56 × 39.9 cm |
Parties existantes | three unlabelled parts |
Parties manquantes | shown on oblong octavo book held by figure |
Information supplémentaire
Remarque générale | The painting has been attributed to Filippo Mazzola. The subject has been speculated to be the music theorist Nicolò Burzio or composer Josquin Des Pres. Fallows (2009) examines the second hypothesis on the basis of the resemblance of the piece of music to Josquin's "Guillaume se va chaufer" and the text quoted from Pietro Bembo's Gli asolani, though he concedes it is difficult to reach a firm conclusion. Fallows dating of the painting to between January 1501-March 1505 is persuasive. |
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Références
Référence bibliographique | Scherliess 1972 , 111, Plate 40 (cat. no. XXI) |
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Lowinsky 1982 , 268, 269 (corrected transcription), 273 | |
Fallows 2009 Josquin , 244-248 |
Termes
Sujet | Painting |
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Langue du texte chanté | ita |
Nom | Mazzola, Filippo (1460-1505) [Illustrateur] [Conjectural] |
Bembo, Pietro (1470-1547) [Parolier] [Ascertained] | |
Burtius, Nicolaus (1450-1528) [Autre function] [Doubtful] | |
Josquin Desprez (c1450-1521) [Autre function] [Doubtful] |